After L'era del cinghiale bianco (The Era of the White Boar, 1979). Patriots was released, and it was his first LP of the 80s. That album was successful enough to reach the thirtieth position on the charts. It contains a few songs which have become Battiato's classics, such as "Le Aquile" (The Eagles), and "Prospettiva Nevskij" (Nevsky Prospect). This new era of his music marks the beginning of his collaboration with the singer Alice and the violinist Giusto Pio. His following LP was "La Voce del Padrone" (His Masters Voice). He had even more success with this album than with "Patriots". His compositions sound both elegant, yet easy to listen to. This was the key to his growing fan base, of course. "La Voce del Padrone" contains lots of songs which became classics of Italian music. It stayed in the number one position for six months, becoming the first Italian LP with more than one million copies sold. His commercial success was confirmed by L'arca di Noè (Noah's Ark) in 1982. Songs such as "L'era del cinghiale bianco", "Prospettiva Nevskij" ("Nevsky Prospekt"), "Centro di gravità permanente" ("Permanent Gravity Centrepoint"), "Bandiera bianca" ("White Flag"), and "Voglio vederti danzare" ("I Want To See You Dance") established Battiato in Italy. Orizzonti perduti (Lost Horizons, 1983), which Battiato himself called a kipper, was followed by the successful Mondi Lontanissimi (Faraway Worlds, 1985), which featured a solo version of the popular "I treni di Tozeur" ("The Tozeur Trains)", originally a duet with Alice performed at the 1984 Eurovision Song Contest.